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°¡¾ß±¹ÀÇ °¡½Ç¿ÕÀÌ ¸¸µé¾ú´Ù°í ÀüÇØÁö¸ç °¡¾æ°í¶ó°íµµ ºÒ¸®¿öÁø´Ù. dz·ù°¡¾ß±Ý(ÀÏ¸í ¹ý±Ý)°ú »êÁ¶°¡¾ß±Ý µÎ Á¾·ù°¡ Àִµ¥ ÀüÀÚ´Â ÁÖ·Î
Á¤¾Ç°èÅëÀÇ À½¾Ç¿¡ ÈÄÀÚ´Â ÁÖ·Î »êÁ¶ µîÀÇ ¹Î¼Ó¾Ç¿¡ ¾²ÀδÙ. ¿Àµ¿³ª¹«·Î ¸¸µç ¿ï¸²Åë À§¿¡ ¸íÁÖ½ÇÀ» ²¿¾Æ ¸¸µç 12°³ÀÇ ÁÙÀ»
¾ÈÂÊ À§¿¡ ¿Ã¸®°í ¼Õ°¡¶ôÀ¸·Î ƨ±â°Å³ª ¶â¾î ¼Ò¸®¸¦ ³½´Ù. À½»öÀÌ ¸¼°í ¿µ·ÕÇÏ¸ç ¼¶¼¼ÇÏ´Ù. |
This twelve-stringed zither is also called kayat-go. There are two
kinds of kayagum: pungryu kayagum(also called popkum), and sanjo kayagum.
The two differ in size and shape and are used for different musical pieces. The kayagum has 12 silk strings supported by 12 movble bridges. The strings are plucked with the fingers to produce a clear and delicate tune.
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°í±¸·ÁÀÇ Àç»ó ¿Õ»ê¾ÇÀÌ ¸¸µé¾ú´Ù°í ÀüÇÏ¸ç °í±¸·Á °íºÐº®È¿¡¼ ±× ¿øÇüÀ» º¼ ¼ö ÀÖ´Ù. °Å¹®°í´Â ¸íÁÖ½ÇÀ» ²¿¾Æ¸¸µç Çö¾Ç±â·Î ¿ï¸²Åë À§¿¡
6°³ÀÇ ÇöÀÌ ¾ÈÁ·°ú ¿¿©¼¸°³ÀÇ ±¥¿¡ °ÉÃÄÁ® ÀÖ°í ÇØÁ×À¸·Î ¸¸µç ¼ú´ë·Î ÇöÀ» ¹Ð°Å³ª ¶â¾î ¼Ò¸®¸¦ ³½´Ù. °Å¹®°í´Â ÀåÁßÇÏ°í ±íÀÌ ÀÖ´Â À½»öÀ»
³»´Âµ¥ ±× ¼Ò¸®°¡ ±×À¹ÇÏ¿© ¿¹·ÎºÎÅÍ ¹é¾ÇÁöÀå(ÛÝäÅñýíÛ)À¸·Î ÀÏÄþîÁ® Çй®°ú ´öÀ» ?Àº ¼±ºñµé »çÀÌ¿¡ ¼þ»óµÇ¾î¿Ô´Ù. |
| The six-stringed zither is said to been created by Prime Minister
Wang San-ak of the Koguryo Kingdom; its found in the ancient murals of Koguryo. It has six twisted silk strings, whick are stretched over 16 fixed frets. The instrument is plucked with a short bamboo rod, which is held in the right hand, and produces majestic deep sounds. The literati of the Choson Kingdom particularly revered the komun-go. |
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°í·Á¶§ µé¾î¿Í »ç¿ëµÇ±â ½ÃÀÛÇÑ ÇØ±ÝÀº ¾Æ½Ã¾Æ Àü¿ª¿¡ ³Î¸® »ç¿ëµÇ´ø Çö¾Ç±âÀÌ´Ù. ¿øÅëÇüÀÇ °ø¸íÅëÀ§¿¡ ´ë³ª¹«(ÁÞ´ë)¸¦ ²È°í ¸íÁֽǷÎ
¸¸µç µÎ ÁÙÀ» °íÁ¤ÇÑ´Ù. µÎ ÁÙ »çÀÌ¿¡ Ȱ´ë¸¦ ³Ö°í ¸¶Âû½ÃÄÑ ¼Ò¸®¸¦ ³»´Âµ¥ Ç¥Á¤ÀÌ Ç³ºÎÇÏ°í ¹¦»çÀûÀÎ À½»ö ¶§¹®¿¡ ±ø±øÀÌ¡¯ ¶ó°íµµ
ºÒ¸®¿î´Ù. |
| This two-stringed fiddle, believed to have been introduced from
China during the Koryo period, was once played throughout Asia.
The haegum has no finger board and is played vertically on the left knee, with a bow scraped against two silk strings. It produces a nasal tone and piercing sounds and hence is also called kkangkkang-i. |
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°í·Á ¶§ºÎÅÍ ¿¬ÁÖµÈ Çö¾Ç±âÀÌ´Ù. °³³ª¸®·Î ¸¸µç Ȱ´ë·Î ÁÙÀ» ¸¶Âû½ÃÄÑ ¼Ò¸®¸¦ ³»´Âµ¥ Á¤¾Ç¾ÆÀï(7,9Çö)°ú »êÁ¶¾ÆÀï(8Çö) µÎ Á¾·ù°¡
ÀÖÀ¸¸ç Á¤¾Ç ¾ÆÀïÀº Å©±â°¡ ´õ Å©°í ±½Àº ÀúÀ½ÀÌ ³ª¸ç »êÁ¶¾ÆÀïÀº ¾ÖÀÜÇϰí ÇÑÀÌ ½º¹Î ¼Ò¸®°¡ ³´Ù. |
| This horizontal zither has been used since the Koryo period. It is
played with a resined bow made of forsythia wood, which produces a rasping sound.
There are two types of ajaeng: chong-ak ajaeng(7,9 string) and sango ajaeng(8 string). The former is bigger and produces thick low sounds, while the latter produces melancholy tunes. |
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¾ç±ÝÀº À¯·´¿¡¼ µé¾î¿Ô´Ù°í ÇØ¼ ¡®¼¾çÀÇ ±Ý¡¯ Áï ±¸¶óö»ç±ÝÀ̶ó°íµµ ÇÑ´Ù. ´Ù¸¥ Çö¾Ç±âµé°ú´Â ´Þ¸® ö»çÁÙÀ» »ç¿ëÇϰí ÀÖ¾î ±Ý¼Ó¼ºÀÇ
¸¼°í ¿µ·ÕÇÑ À½»öÀÌ ³ª¿À¸ç ´ë³ª¹«¸¦ ¾ã°Ô ±ï¾Æ ¸¸µç ä·Î ÁÙÀ» °¡º±°Ô ³»¸®ÃÄ ¼Ò¸®³½´Ù. |
| The yanggum is a dulcimer thought to have been introduced from
Europe. It is the only Korean string instrumjent with strings of steel instead of silk and produces a clear metallic sound. It is played by striking down lightly with a bow made of thinly carved bamboo. |
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